Sybil Crawley (
adifferentlife) wrote2013-12-03 11:57 am
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A more modern sort of date
Not every night can be spent at restaurants or the theatre, especially when Sybil understands the frustrations of living on a budget now. This doesn't mean she wants to spend any less time with Henri, so she plans a night in, after consulting with Katie and a few of the girls at work as to just what she should do. They spoke of plans and ideas, and there was some giggling on the part of the other girls when Sybil mentioned her concerns with being alone in her home with a suitor. Eventually she was won over to the idea, trusting both in Henri's honour and the knowledge that this wouldn't cause a scandal here in Darrow.
Now she has everything ready; wine and beer in the refrigerator, a few movies that were suggested and an electric popcorn machine she hopes she can master. The only thing missing is her date himself. She pours herself a glass of the crisp white, breathing in the fruitiness of it before taking a sip and settling in with a book to wait.
Now she has everything ready; wine and beer in the refrigerator, a few movies that were suggested and an electric popcorn machine she hopes she can master. The only thing missing is her date himself. She pours herself a glass of the crisp white, breathing in the fruitiness of it before taking a sip and settling in with a book to wait.
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But time spent with Sybil had always been comfortable, and he was certainly looking forward to another evening spent together, awkward assumptions or no awkward assumptions. Standing at her door with a bottle of wine and a single flower, he knocked on the door.
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Perhaps purposely she's worn a conservative sweater and cardigan and a long tweed skirt that flares and reaches nearly her ankles. Her only affectation is a pair of strappy heels that would be inappropriate outside in this weather but that she enjoys a great deal. Her hair tucked up as best as she can manage in a series of curls and rolls, and she almost feels as if this is a date like any other they have been on.
"Welcome," she says as she kisses him lightly on the cheek, pulling the door back for him to come in. "I'm afraid I don't have anything too exciting planned. I've been convinced that popcorn and a movie are much of a tradition for most."
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Sybil opens the closet for him before going to fill a galss with water for the flower. It's embarrassing to not have a vase, but she's never needed one. "I've put the movies out if you would like to look."
They sit in little boxes on the table. Say Anything, Princess Bride and Casablanca which she's been assured are all classics and perfect for a night such as this. "I'm just glad you could come."
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The little boxes look almost like shiny books, stacked in a neat pile on the table. He sets the wine he brought next to them and picks the top one up curiously. None of the titles mean anything to him, of course. Films, in general, are still a bit of a mystery. “Do you know much about these?"
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"I had, and I have to admit I enjoy that you do like spending time with me so much," she says without any bashfulness. Sybil is adjusting to this, to seeing him and having him about. It's comfortable and special all at once, and she wonders if this is how these things are supposed to feel.
Sybil pours him a white to start off the evening, carrying it out to him and taking up her own. "I don't, I admit. The one is fantasy, the other is apparently more modern though one girl called it 'retro' and the last is supposedly what people call a classic. Though something being classic when it's only from fifty years before does seem baffling."
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"I think so. Have you seen many movies yet?" Sybil smiles as she picks up the box, her turning on of the various devices and readying the disc far more deft than it had been once. "Or is it something still new?"
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"I find it strange. Especially the game shows?" Sybil frowns, wondering if he's experienced them. "They shout a great deal and it seems an off-sort of circus. They're nothing like the games we used to play at the fairs and bazaars, with a simple task to perform and prize to win."
She shrugs as she steps back from the machine, settling herself on the couch and smiling in hope that he will join her. It is rather racy, she thinks, to be able to sit so close to one another when not at a party or without a chaperone. "They are more like the theatre, though I've discovered that some leave me feeling much like the play we went to see."
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Combeferre hesitates for a moment, the corner of his mouth lifting up in an uncertain smile. What is the protocol? How close might he be expected to sit, what sort of contact would make her smile, and what would shock her? Combeferre is keenly aware that his own sense of propriety is different from Sybil’s, and both are wildly different from those of this brave new world.
There is only one thing to do: leap in, and hope for the best.
He sits beside her on the sofa close enough that their hands might rest upon each other. “Prouvaire sends his regards, by the way."
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Her smile turns into a laugh, shaking her head at him. "No, no judgment to be questioned. It's all a bit of guesswork for us, isn't it? There's no other way for it to be."
When he settles beside her she's pleased. It is close, but not so much so that she feels he's misunderstood her invitation or pushing an advantage. "How is he adjusting to the City? I hope well."
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He nods. “Yes, he is doing well. Adjusting, as we all must. These few months have been strange, I fear, but Jehan has a talent for finding friends wherever he goes. I think that has made settling in easier."
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She realises that she's taken the conversation on a flight of fancy, laughing again, this time at herself. "My father used to tease me for reading all the novels I did. I don't think he knew of some of the ones I'd manage to sneak when we were in London. He'd have been horrified, I think."
"Oh, that's good," she says with real fervor. It would upset her to think of him floundering and unhappy. He seemed lovely, and he was a friend of Henri's, making her concern double nearly. "I'm glad. Though you're doing rather well for making friends yourself."
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Combeferre chuckled. “Oh, I have managed. Though speaking of friends - I fear the good people of Casablanca will begin to doubt our interest if we keep ignoring them."
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"I would hate to think of that." She's happy to turn to the movie, letting go of his hand to press the needed buttons on the controller. The opening sequencestarts and she sits more comfortably, sipping at her wine.
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He let their attention shift to the movie, resting his hand on top of Sybil's as the picture began to flicker across the screen, sharing a warm smile with his companion. He still found the experience of watching moving pictures strange, even distracting, but soon he had settled into the story.
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The film is captivating, the story of Rick and Ilsa filled with intrigue and mystery. There are a number of times that she jumps, gripping Henri's hand as the tension builds. Even with the raciness of their relationship, she finds her heart breaking at teh end when Rick tells her to go. The honourable thing and the proper thing, by far, but it seems so hard to her. Her wine forgotten, she feels nearly breathless when the credits begin. "Oh. How noble and how hard. I don't think I expected that."
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Casablanca had it all. He had read just enough about the history of the twentieth century to follow the plot’s broader context. Though the story - it’s tale of freedom, and love, and betrayal, and sacrifice, wrapped in fight for the greater good - would have reached his heart even if the details had been entirely unknown to him.
“Indeed,” he said softly, flashing Sybil a gentle, sad smile. “But in times of struggle, I suppose we all must rise above our own desires."
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"I suppose that we must," she says as she considers it. The war that she knew had meant a great deal of change for everyone, and at Downton for Matthew and Thomas the most. For herself as well, though she cannot compare going to war with being a nurse. "I wonder, would I have done the same?"
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"You are likely right," she admits, her cheeks growing warm at his touch. Such a brief little thing and yet her stomach jumps, the touch both sweet and intimate. She doesn't mind it, in fact, she likes it a great deal.
"How many are you comparing it to," she asks lightly, her voice betraying none of her thoughts. "Is it a group of very many?"
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She nods as he does, knowing that what he says is very true. "I know that it wasn't the play we saw together. But this.. This may be, I think that you're right. Only this is December now, isn't it? We'll have to begin again in January."
She starts, realising something horrible. "I forgot to make the popcorn," she apologises. "It was supposed to be a part of all this."
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When she mentioned popcorn - a food with which he had become familiar, but that he still found odd - he lifted his brows in puzzlement. "Oh? Is it to do with the film?"
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"It's supposed to be eaten when you watch the film. In cinemas they always have it." It's become something of a treat, the few times she's gone to the movies. "I suppose we may just have to have another movie, another time. As it must be done properly."
"I think that we have," she says, that same shyness creeping into her tone. She pushes it away, thinking of something else she might talk of lest she forget herself and kiss him here and now. "Speaking of, I had a thought for Christmas. I've been thinking on what we spoke of, about knowing how to become involved in this place? About causes and what we might find? There's a charity that feeds the poor and on Christmas Eve they are having a special dinner for any who might not be as fortunate as we are. They need people to serve the meal, and I thought perhaps, before mass?"
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Not that Combeferre imagined refusing Sybil’s suggestion - not even for a moment. Hungry people did not care about the bigger picture, and certainly not on Christmas. You have spent too much time around Enjolras, to be worrying about such matters,, he thought ruefully, though with a pang of homesickness.
“You are remarkable,” he said, and he did laugh with fondness. He took one of her hands in both of his. “That is a wonderful idea, ma cherie."
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"I'm very glad you think so. Not that I'm remarkable," she says with a gentle laugh. Though it is nice to hear, and nicer to hear the term of endearment. "But that it's a good idea."
Sybil wouldn't argue his thoughts. She knows that charity without some meaningful work to forment change is a paltry thing. But it has a place, especially in a society such as this where near everyone seems to have enough, and especially at a time such as Christmas. That he's agreed is a pleasure, her hands squeezing his as she closes the gap to kiss him how she's been thinking of for most of the evening.
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It's more than they've done before -- more than she's done before -- their other kisses always brief and whilst never proper not nearly as over the line as this. Sybil can't even blame the wine, having barely drunk a glass, nor would she want to. This is her own intitiative, of her own making. She mirrors him, taking the lead and brushing her fingertips across his cheek as she does not pull away, at least, not yet.
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"I-" Sybil struggles for what to say. In the end, there's only one thing she can settle on, one thing that is proper. "Perhaps we should say good night?"
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He pressed his lips to her forehead - briefly, chastely - and then stood. “This has been a lovely evening. As always. Thank you."
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Sybil stands with him, taking his hand between her own. "It has been a wonderful evening. Will I see you again?"
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Only she knows that's not what will happen to her, if what thomas has told her is true, and she's no reason to believe that it's a lie. If she does elope with Branson what does it say about her? And what does it say about the way Henri is winning her heart now? "I thought it would be simple, but it seems it's all rather complicated."
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"It would." She lets her fingers drift past his as they pull away, smiling at him as he does at her. "I would like it very much if you did. Especially if it means you use the telephone more often."
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